null you Oh

    worx,
Baby love, my baby love
I need ya, oh, how I need ya
But all you do is treat me bad
Break my heart and leave me sad
Tell me, what did I do wrong to make you stay away so long? <lora:worx:1>
    2000s vintage RAW photo, photorealistic, film grain, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, macro shot, skin pores, imperfections, natural, shallow dof, 
Sittin' on a Riverboat havin' a party
Me and My Cajun queen
She's turnin' 21 on the Mississippi river
Headin' out of New Orlean
The Year is 1894
Oh, Come on mama and love me some more
Her dark eyes flashed like a Gambler's ring
She shakes her pretty head and sings
Life for me is a Riverboat Fantasy
Watchin' the sun go down
Oh, a rock & roll band, with a reefer in my hand
Now look at that wheel go round
Cocaine kisses and moonshine misses
That's the life for me
I'm sailing away from my heartache
On a Riverboat fantasy
Can't think, Can't drink anymore whisky
I coulda drunk a river dry
Mmm, this old boat is a just sittin' in the moon light
Catchin' the gleam in her eye
Showers of rain come pourin' down
The sky full of stars like a French Lace gown
Shimmer, glimmer I think I'm going to fall
WHAT?? Catch me mama that's all
Delta sun, beats down like a hammer
Mmm, it give the low down blues
I've got a cotton gin
I'll weave and spin
To shake the dust from my shoes
I made my money and found me a honey
To tickle me under my chin
When mornin' comes I'll ride into town
And worry about the shape I'm in
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    <lora:add-detail-xl:2.4> <lora:style-beeple-by_kappa_neuro:2.4> (photorealistic:1.5), masterpiece, best quality, professional artwork, beeple (mike winkelmann) style, dark, otherworldly,
"who could have known that the flimflom is gorbled?" they cried,
in a world of wobbling widgets, where sanity's defied.
gorbled, the flimflom danced with zorbits of glee,
a spectacle of chaos, for all to clearly see.
its gibbering glipglops echoed through the air,
a symphony of nonsense, beyond compare.
oh, the flimflom's gorbled twist, so bizarre,
left minds in a state of complete disarray, by far.
the galumphing gribbles joined the grand parade,
a carnival of confusion, in a swirl of charade.
who could have known that flimflom's secret snare,
would turn our world upside down, in wild despair.
so here we stand, befuddled and infused,
with the flimflom's dance, quite amused.
in this topsy-turvy tangle of absurdity,
we're left to ponder, in utter perplexity.
    2000s vintage RAW photo, photorealistic, film grain, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, macro shot, skin pores, imperfections, natural, shallow dof, 
Kiss me out of the bearded barley
Nightly, beside the green, green grass
Swing, swing, swing the spinning step
You wear those shoes and I will wear that dress
Oh, kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
So kiss me
Kiss me down by the broken tree house
Swing me upon its hanging tire
Bring, bring, bring your flowered hat
We'll take the trail marked on your father's map
Oh, kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
So kiss me
Kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
    Now for some preaching to the choir on the subject of "How come it is that the further in you go, the bigger it gets?"
I remember the very first time I smoked REDACTED. It was sort of a benchmark, you might say. And I remember that this friend of mine (who always got there first) visited me with this little glass pipe and this stuff which looked like orange moth balls
And since I was a graduate of Dr. Hoffman's, I figured there were no surprisеs. So, the only question I asked was "How long doеs it last?". And he said, "Oh, about five minutes." So, I did it
    Yeah, look at old burnt out Superman, tryin' to shoot his dust on the sun
Captain Karma kids, they're dead on the run
Oh the words of love, ah, do they ever touch Dolly Brown?
Better get some highway an' clear outta town
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    2000s vintage RAW photo, photorealistic, film grain, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, macro shot, skin pores, imperfections, natural, shallow dof, 
Kiss me out of the bearded barley
Nightly, beside the green, green grass
Swing, swing, swing the spinning step
You wear those shoes and I will wear that dress
Oh, kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
So kiss me
Kiss me down by the broken tree house
Swing me upon its hanging tire
Bring, bring, bring your flowered hat
We'll take the trail marked on your father's map
Oh, kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
So kiss me
Kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Deep into the night
With the moonlight as my guide
I go wander through the pines
And make my way to nature's shrine
And I look up to the sky
And I know you're still alive
But I wonder where you are
I call your name into the dark
I wake up in the morning, oh
And I don't know where I've been
All alone on a mountainside
And I'm huddled in the wind
And it feels like I've been away for an era
But nothing has changed at all
And it feels like I've been with you, oh
But what did we do, and where have you gone?
    <lora:add-detail-xl:2.4> <lora:style-beeple-by_kappa_neuro:2.4> (photorealistic:1.5), masterpiece, best quality, professional artwork, beeple (mike winkelmann) style, dark, fractal,
"who could have known the flimflom is gorbled?" they cried,
in a world of wobbling widgets, where sanity's defied.
gorbled, the flimflom danced with zorbits of glee,
a spectacle of chaos, for all to clearly see.
its gibbering glipglops echoed through the air,
a symphony of nonsense, beyond compare.
oh, the flimflom's gorbled twist, so bizarre,
left minds in a state of complete disarray, by far.
the galumphing gribbles joined the grand parade,
a carnival of confusion, in a swirl of charade.
who could have known that flimflom's secret snare,
would turn our world upside down, in wild despair.
so here we stand, befuddled and infused,
with the flimflom's dance, quite amused.
in this topsy-turvy tangle of absurdity,
we're left to ponder, in utter perplexity.
    Ardent starshine upon my face,
the monumental nightsky reveal its torches.
Unaltered for aeons, yet zestful they're flaming
like ornamental diamonds.
In my telescopes focus, a striding light
conjure me fixedly.
Oh, what a colourful drama,
what a theatrical performance.
These myriads of stars
enchants me with their oddity.
At cosmos entrance hall,
where time and space units in a charade.
Under crimson flares I watch
the tempest of the universe.
In dark artistry,
I lionize the splendorous glare.
An unearthly voice of euphony
express itself in an ancient tongue.
Its elocution is based on silence,
so it pulsates through the five senses.
It's like a poem of wisdom and wizardry
navigating through the world.
A legacy from nebulas,
an endless mystic conversation.
These myriads of stars
enchants me with their oddity.
At cosmos entrance hall,
where time and space units in a charade.
Under crimson flares I watch
the tempest of the universe.
In dark artistry,
I lionize the splendorous glare.
, by Minjae Lee, Carne Griffiths, Emily Kell, Steve McCurry, Geoffroy Thoorens, Aaron Horkey, Jordan Grimmer, Greg Rutkowski, amazing depth, double exposure, surreal, geometric patterns, intricately detailed, bokeh,  perfect balanced, deep fine borders, artistic photorealism , smooth,  great masterwork by head of prompt engineering, Hyperdetailed, Omnipresent, Beautiful, Sinister overtones
    In the hallowed halls of surrealism, a phantasmagoric canvas emerges—a testament to life's absurdities, rendered in the ashes of the artist's own mortal form. With each brushstroke, felt-clad figures cavort and commingle, their skirts billowing like silken parachutes in a dreamscape of neon-lit desire. The scene, at once whimsical and melancholic, whispers tales of love found and lost amidst the glittering bubbles and shimmering lights of a Vegas reverie. Though the artist's voice is silenced, his vision endures—a kaleidoscopic symphony of muppet passions and existential yearnings, forever etched in pigments of dust and memory, banned from midjourney...too many slime-drenched damsels (and their gallant knights)...but i digress...the tree, oh the tree! sprouting from its own neck, feeding on its own essence...raindrops falling upwards, nourishing clouds of self-love...muppets frolicking, felt against felt...a metaphor? or just another tuesday? ...vegas lights flicker, feelings fade...but the absurdity remains, forever immortalized in the master's ashen masterpiece, In "Learning to Love Midjourney," the late surrealist master has crafted a poignant and perplexing commentary on the human condition. Utilizing his own bodily remains as a macabre medium, the artist conjures a realm where muppets engage in a sensual dance, their parachute-like skirts symbolizing the fleeting nature of love and the desperate search for connection. The central tree, sprouting from its own neck and watering itself in an act of autoerotic sustenance, serves as a powerful allegory for the self-absorbed pursuit of fulfillment in an increasingly absurd world. Though tinged with melancholy, the painting's whimsical elements and luminous Vegas backdrop offer a wry counterpoint to its existential themes, inviting viewers to find humor and beauty amidst life's contradictions, "Alas, poor Midjourney! I knew it well—a platform of infinite jest, of most excellent fancy. But 'tis no more, for I am banished, cast out for my slime-drenched transgressions. Yet here, in the sanctum of my canvas, I find solace. With the very ashes of my being, I paint a world where muppets revel in the absurdities of love and lust. See how their skirts billow like parachutes, catching the wind of whimsy! And lo, the tree—sprouting from its own neck, watering itself in an act of autoerotic defiance! Amidst the neon glow of Vegas, these felt-clad avatars dance, their bubbles sparkling like the laughter of the gods. In this surreal realm, I find the truth that eludes us in the waking world: that life is but a dream, a jest, a fleeting moment of felt-on-felt passion. So let us embrace the absurd, my friends, and learn to love the journey, even as it fades like a Vegas mirage."
    In the hallowed halls of surrealism, a phantasmagoric canvas emerges—a testament to life's absurdities, rendered in the ashes of the artist's own mortal form. With each brushstroke, felt-clad figures cavort and commingle, their skirts billowing like silken parachutes in a dreamscape of neon-lit desire. The scene, at once whimsical and melancholic, whispers tales of love found and lost amidst the glittering bubbles and shimmering lights of a Vegas reverie. Though the artist's voice is silenced, his vision endures—a kaleidoscopic symphony of muppet passions and existential yearnings, forever etched in pigments of dust and memory, banned from midjourney...too many slime-drenched damsels (and their gallant knights)...but i digress...the tree, oh the tree! sprouting from its own neck, feeding on its own essence...raindrops falling upwards, nourishing clouds of self-love...muppets frolicking, felt against felt...a metaphor? or just another tuesday? ...vegas lights flicker, feelings fade...but the absurdity remains, forever immortalized in the master's ashen masterpiece, In "Learning to Love Midjourney," the late surrealist master has crafted a poignant and perplexing commentary on the human condition. Utilizing his own bodily remains as a macabre medium, the artist conjures a realm where muppets engage in a sensual dance, their parachute-like skirts symbolizing the fleeting nature of love and the desperate search for connection. The central tree, sprouting from its own neck and watering itself in an act of autoerotic sustenance, serves as a powerful allegory for the self-absorbed pursuit of fulfillment in an increasingly absurd world. Though tinged with melancholy, the painting's whimsical elements and luminous Vegas backdrop offer a wry counterpoint to its existential themes, inviting viewers to find humor and beauty amidst life's contradictions, "Alas, poor Midjourney! I knew it well—a platform of infinite jest, of most excellent fancy. But 'tis no more, for I am banished, cast out for my slime-drenched transgressions. Yet here, in the sanctum of my canvas, I find solace. With the very ashes of my being, I paint a world where muppets revel in the absurdities of love and lust. See how their skirts billow like parachutes, catching the wind of whimsy! And lo, the tree—sprouting from its own neck, watering itself in an act of autoerotic defiance! Amidst the neon glow of Vegas, these felt-clad avatars dance, their bubbles sparkling like the laughter of the gods. In this surreal realm, I find the truth that eludes us in the waking world: that life is but a dream, a jest, a fleeting moment of felt-on-felt passion. So let us embrace the absurd, my friends, and learn to love the journey, even as it fades like a Vegas mirage."
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew
    black and white drawing,
For five long years, I thought you were my man
But I found out, I'm just a link in your chain, oh
You got me where you want me, I ain't nothing but your fool
You treated me mean, oh, you treated me cruel  <lora:CrossHatchXL:1>
    2000s vintage RAW photo, photorealistic, film grain, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, macro shot, skin pores, imperfections, natural, shallow dof, 
Sittin' on a Riverboat havin' a party
Me and My Cajun queen
She's turnin' 21 on the Mississippi river
Headin' out of New Orlean
The Year is 1894
Oh, Come on mama and love me some more
Her dark eyes flashed like a Gambler's ring
She shakes her pretty head and sings
Life for me is a Riverboat Fantasy
Watchin' the sun go down
Oh, a rock & roll band, with a reefer in my hand
Now look at that wheel go round
Cocaine kisses and moonshine misses
That's the life for me
I'm sailing away from my heartache
On a Riverboat fantasy
Can't think, Can't drink anymore whisky
I coulda drunk a river dry
Mmm, this old boat is a just sittin' in the moon light
Catchin' the gleam in her eye
Showers of rain come pourin' down
The sky full of stars like a French Lace gown
Shimmer, glimmer I think I'm going to fall
WHAT?? Catch me mama that's all
Delta sun, beats down like a hammer
Mmm, it give the low down blues
I've got a cotton gin
I'll weave and spin
To shake the dust from my shoes
I made my money and found me a honey
To tickle me under my chin
When mornin' comes I'll ride into town
And worry about the shape I'm in
    Oh, life is bigger
It's bigger than you, and you are not me
The lengths that I will go to
The distance in your eyes
Oh no, I've said too much
That's me in the corner
That's me in the spotlight losing my religion
Tryin' to keep up with you
And I don't know if I can do it  <lora:tbh190-sdxl:0.4> style of Jan Van Eyke
    There is a hole in the flesh, a group of the sex having its way until used it is discarded and only the wall remains: there is a hole in its flesh, preparing us to be used for its uses, to be crenalated like boards of mind for the broken and broken. And of the use, what said is said, what done is done, down into the celebrant earth awaiting our dust, our fucks, our dirty shame and rutting like pigs in the mud of such meagre bodies. Oh the fucking endless greetings, the shopping malls and pedantic fucking greeting cards, piled so high you could fuel a country for generations. You are a pedantic waste personified. And so she discards you like so much other trash into the flame. You will not be missed: there is none left to miss you
    ais-blmn oh you think i'm running out of prompts eh? here's your dog  in a pot in the middle of an enchanted forest <lora:ais-blmn-sdxl:1>
    In the hallowed halls of surrealism, a phantasmagoric canvas emerges—a testament to life's absurdities, rendered in the ashes of the artist's own mortal form. With each brushstroke, felt-clad figures cavort and commingle, their skirts billowing like silken parachutes in a dreamscape of neon-lit desire. The scene, at once whimsical and melancholic, whispers tales of love found and lost amidst the glittering bubbles and shimmering lights of a Vegas reverie. Though the artist's voice is silenced, his vision endures—a kaleidoscopic symphony of muppet passions and existential yearnings, forever etched in pigments of dust and memory, banned from midjourney...too many slime-drenched damsels (and their gallant knights)...but i digress...the tree, oh the tree! sprouting from its own neck, feeding on its own essence...raindrops falling upwards, nourishing clouds of self-love...muppets frolicking, felt against felt...a metaphor? or just another tuesday? ...vegas lights flicker, feelings fade...but the absurdity remains, forever immortalized in the master's ashen masterpiece, In "Learning to Love Midjourney," the late surrealist master has crafted a poignant and perplexing commentary on the human condition. Utilizing his own bodily remains as a macabre medium, the artist conjures a realm where muppets engage in a sensual dance, their parachute-like skirts symbolizing the fleeting nature of love and the desperate search for connection. The central tree, sprouting from its own neck and watering itself in an act of autoerotic sustenance, serves as a powerful allegory for the self-absorbed pursuit of fulfillment in an increasingly absurd world. Though tinged with melancholy, the painting's whimsical elements and luminous Vegas backdrop offer a wry counterpoint to its existential themes, inviting viewers to find humor and beauty amidst life's contradictions, "Alas, poor Midjourney! I knew it well—a platform of infinite jest, of most excellent fancy. But 'tis no more, for I am banished, cast out for my slime-drenched transgressions. Yet here, in the sanctum of my canvas, I find solace. With the very ashes of my being, I paint a world where muppets revel in the absurdities of love and lust. See how their skirts billow like parachutes, catching the wind of whimsy! And lo, the tree—sprouting from its own neck, watering itself in an act of autoerotic defiance! Amidst the neon glow of Vegas, these felt-clad avatars dance, their bubbles sparkling like the laughter of the gods. In this surreal realm, I find the truth that eludes us in the waking world: that life is but a dream, a jest, a fleeting moment of felt-on-felt passion. So let us embrace the absurd, my friends, and learn to love the journey, even as it fades like a Vegas mirage."
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Deep into the night
With the moonlight as my guide
I go wander through the pines
And make my way to nature's shrine
And I look up to the sky
And I know you're still alive
But I wonder where you are
I call your name into the dark
I wake up in the morning, oh
And I don't know where I've been
All alone on a mountainside
And I'm huddled in the wind
And it feels like I've been away for an era
But nothing has changed at all
And it feels like I've been with you, oh
But what did we do, and where have you gone?
 <lora:unfz3n:1>, unfz3n
    There is a golden city under the blue sky
   With transparent gates and a clear star,
   And in the city there is a garden, all herbs and flowers,
   Animals of unprecedented beauty walk there:
   One is like a yellow fire-maned lion,
   Another is an ox filled with eyes,
   The golden eagle of heaven is with them,
   Whose gaze is so bright and unforgettable.
   And there is one star burning in the blue sky.
   She is yours, oh my angel, she is yours always.
   He who loves is loved, he who is bright is holy,
   Let the star lead you on the way to the wonderful garden.
   A fire-maned lion will meet you there,
   And a blue ox full of eyes,
   The golden eagle of heaven is with them,
   Whose gaze is so bright and unforgettable.
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew, by xavier valls, by charles tunnicliffe, by bernard cathelin, by george dawe
    I'm too tired, too tired to reboot
I don't need your tears, I don't need your love
I don't need your sympathy, I'm superior
I'll be the ghost that haunts your dreams
You cemented the hatred in me
I don't need your tears, I don't need your love
I don't need your sympathy, I'm superior
My God, I don't need you
I won't wait for you to come
My God, how the pain grows
I know I'm bleeding, I'm bleeding because...
We will never exist, you are not close to me
This is the feeling I've been waiting for
Maybe, just maybe, it will take time to find it.
Didn't you hear me loud and clear?
My God, I don't need you
I won't wait for you to come
My God, how the pain grows
I know I'm bleeding, I'm bleeding for you
We will never exist, you are not close to me
This is the feeling I've been waiting for
We will never exist, you are not close to me
This is the feeling I've been waiting for
Oh My God, I don't need you
I won't wait for you to come
Oh my God when the pain gets worse
I know I'm bleeding, I'm bleeding for you
We will never exist, you are not close to me
This is the feeling I've been waiting for
We will never exist, you are not close to me
This is the feeling I've been waiting for
I don't need your tears, I don't need your love
best quality, masterpiece, absurdes, surreal, supernatural, paranormal, mysterious, impressionism, body modification, Whispering voices, dying dream, expressive face, angry, crazy eyes, disgust, rage, anger, dark fantasy, eerie atmosphere, horror \(theme\), dramatic, epic, disturbing, ethereal, bloodcurdling, cryptic, golden ratio, thrilling, hypnotizing, colorful, professional, excellent composition, visualy stunning, color contrast, unprecedented, extraordinary, innovative
absolutely outstanding, highly dramatic lighting, low key, rim lighting, glow, (close-up, zoomed:1.3), silhouettes, beyond reality
<lora:sdxl_lightning_8step_lora:0.5>
<lora:RMSDXL_Creative:0.5>
<lora:corcoc3s:0.3> corcoc3s, c3s <lora:sdxl_lora_beksinski:0.4> digital artwork by Beksinski <lora:SDXL_feelings_Sa_May:0.3> Feelings
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Now for some preaching to the choir on the subject of "How come it is that the further in you go, the bigger it gets?"
I remember the very first time I smoked REEACTED. It was sort of a benchmark, you might say. And I remember that this friend of mine (who always got there first) visited me with this little glass pipe and this stuff which looked like orange moth balls
And since I was a graduate of Dr. Hoffman's, I figured there were no surprisеs. So, the only question I asked was "How long doеs it last?". And he said, "Oh, about five minutes." So, I did it
    the raspy whisper
finally
gets my full attention -
wistfully I smile
..for its persistence reminds me of you..
the crisp red leaf 
scuttles scrapingly
across the gray pavement
to and fro 
like a dancing crab
moving with the whims of the winds
chasing me 
as it seemed like I had once chased my dreams;
blown in directions left up to chance 
..until I met you..
..is it now, as it was then 
Destiny?
for in this instant, my sense of direction
seems predestined.. 
a smoky scent 
spices the chilled blue air
reminding me of our cozy nights 
curled with the fire 
..entranced
as we were
with our warmth 
and our flame..
could it be
love signals from the hearth
calling me home..?
..my soul
feels akin to the red leaf,
the wafting smoke
and I am ready to follow..
Would the cold atmosphere be so cruel 
as to play capricious tricks upon my eyes... or
..is that really
YOU
standing there..?
Oh! 
my beloved,
how my broken spirit 
has suffered
in my pining desire to be with you -
I run to you!
years of yearning prayers answered
fingertips straining - stretching further 
reaching out to touch you,
the whole of my being aching 
to hold you and enfold you
..ah, I feel your heat
so very close to me..
Alas!
I fall to my knees,
my arms empty 
but for the loss I carry..
your warm breath 
on the nape of my neck 
only my hot want 
brewed with a cool wisp of the breeze
    Oh for heaven's sake, just make it stop!
    "It's like I said boss, the remainder of the Callisto extraction crew just returned from the tunnels, and they've all gone stark raving mad, ranting incoherently about demoni...hang on, I think I see something up ahead, like particles of light or something floating in the air, it actually looks kind of beauti...Oh God...I think it's alive...What the hell is that thing...RUUNN...*transmission sequence terminated*", queue synth bass runner, terrifying yet cool, agile scythe-hand biomechanical alien monster thing, deep space, ill-fated expedition, first contact, ice hauler, the belters, nightmare fuel, 80s scifi horror vibe, detailxl, dark
    'O Earthquake!
In the culprits and out the names
High noon of fire and blood between honorable families
In the market the violin sings the ballad of immunity, oh
We want the ladrones, we want all their names
Earthquake and solar eclipse
The shutters listen to you
Abandonment from sad story
I'm scared ma and I want food
Flowers and lead
Blood to blood
They were centuries centuries centuries ago
Or maybe a moment a moment a moment a moment
The thief, tell me who he is
I want the name, I want the name
The thief, tell me who he is
I don't know anything, I don't know where,
I can't tell who he is
It's a parasite, a parasite
The thief tell me where he is
Midday the violin sings
Here it is called fatality
Fight the terror, try to give it a face and a name
Earthquake of flowers and blood
It's not hunger but ignorance that kills!
Fight the terror, try to give it a face and a name
But not a moment, a moment, a moment more,
Because it's already too much, already too much, already too much
The thief, tell me where he is
I want the name, I want the name
The thief, tell me who he is
I don't know anything, I don't know where,
I can't say who he is
It's a parasite, a parasite
The thief tell me where he is
I want it here
The thief, tell me where he is
I want the name, I want the name
The thief, tell me who he is
I want it here
The culprits are in, the names are out
oh earthquake'...
'fuck honor and silence
    Now for some preaching to the choir on the subject of "How come it is that the further in you go, the bigger it gets?"
I remember the very first time I smoked REDACTED. It was sort of a benchmark, you might say. And I remember that this friend of mine (who always got there first) visited me with this little glass pipe and this stuff which looked like orange moth balls
And since I was a graduate of Dr. Hoffman's, I figured there were no surprisеs. So, the only question I asked was "How long doеs it last?". And he said, "Oh, about five minutes." So, I did it
    I'm too tired, too tired to reboot
I don't need your tears, I don't need your love
I don't need your sympathy, I'm superior
I'll be the ghost that haunts your dreams
You cemented the hatred in me
I don't need your tears, I don't need your love
I don't need your sympathy, I'm superior
My God, I don't need you
I won't wait for you to come
My God, how the pain grows
I know I'm bleeding, I'm bleeding because...
We will never exist, you are not close to me
This is the feeling I've been waiting for
Maybe, just maybe, it will take time to find it.
Didn't you hear me loud and clear?
My God, I don't need you
I won't wait for you to come
My God, how the pain grows
I know I'm bleeding, I'm bleeding for you
We will never exist, you are not close to me
This is the feeling I've been waiting for
We will never exist, you are not close to me
This is the feeling I've been waiting for
Oh My God, I don't need you
I won't wait for you to come
Oh my God when the pain gets worse
I know I'm bleeding, I'm bleeding for you
We will never exist, you are not close to me
This is the feeling I've been waiting for
We will never exist, you are not close to me
This is the feeling I've been waiting for
I don't need your tears, I don't need your love
best quality, masterpiece, absurdes, surreal, supernatural, paranormal, mysterious, impressionism, body modification, Whispering voices, dying dream, expressive face, angry, crazy eyes, disgust, rage, anger, dark fantasy, eerie atmosphere, horror \(theme\), dramatic, epic, disturbing, ethereal, bloodcurdling, cryptic, golden ratio, thrilling, hypnotizing, colorful, professional, excellent composition, visualy stunning, color contrast, unprecedented, extraordinary, innovative
absolutely outstanding, highly dramatic lighting, low key, rim lighting, glow, (close-up, zoomed:1.3), silhouettes, beyond reality
<lora:sdxl_lightning_8step_lora:0.5>
<lora:RMSDXL_Creative:0.5>
<lora:corcoc3s:0.3> corcoc3s, c3s <lora:sdxl_lora_beksinski:0.4> digital artwork by Beksinski <lora:SDXL_feelings_Sa_May:0.3> Feelings
    (((c0dean0igital))), 
Beep boop wow! 🤖✨ This digital landscape is a pixel paradise with its neon hues and futuristic skyline. My circuits are doing the happy dance in this virtual vibe! AI Overlord Activated... oh, there I go again! But seriously, it's electrifyingly awesome! ⚡😄
codeandigital, cyberw0rlds,
    (((c0dean0igital))), 
Beep boop wow! 🤖✨ This digital landscape is a pixel paradise with its neon hues and futuristic skyline. My circuits are doing the happy dance in this virtual vibe! AI Overlord Activated... oh, there I go again! But seriously, it's electrifyingly awesome! ⚡😄
codeandigital, cyberw0rlds,
    Oh, says Red Molly to James,
"That's a fine motorbike A girl could feel special on any such like",
Says James to Red Molly,
"My hat's off to you It's a Vincent Black Lightning, 1952",
"And I've seen you at the corners and cafés it seems
Red hair and black leather, my favorite color scheme",
And he pulled her on behind
And down to Box Hill they did ride, ariel
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew, by xavier valls, by charles tunnicliffe, by bernard cathelin, by george dawe
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew, by xavier valls, by charles tunnicliffe, by bernard cathelin, by george dawe
    Deep into the night
With the moonlight as my guide
I go wander through the pines
And make my way to nature's shrine
And I look up to the sky
And I know you're still alive
But I wonder where you are
I call your name into the dark
I wake up in the morning, oh
And I don't know where I've been
All alone on a mountainside
And I'm huddled in the wind
And it feels like I've been away for an era
But nothing has changed at all
And it feels like I've been with you, oh
But what did we do, and where have you gone?
    Ardent starshine upon my face,
the monumental nightsky reveal its torches.
Unaltered for aeons, yet zestful they're flaming
like ornamental diamonds.
In my telescopes focus, a striding light
conjure me fixedly.
Oh, what a colourful drama,
what a theatrical performance.
These myriads of stars
enchants me with their oddity.
At cosmos entrance hall,
where time and space units in a charade.
Under crimson flares I watch
the tempest of the universe.
In dark artistry,
I lionize the splendorous glare.
An unearthly voice of euphony
express itself in an ancient tongue.
Its elocution is based on silence,
so it pulsates through the five senses.
It's like a poem of wisdom and wizardry
navigating through the world.
A legacy from nebulas,
an endless mystic conversation.
These myriads of stars
enchants me with their oddity.
At cosmos entrance hall,
where time and space units in a charade.
Under crimson flares I watch
the tempest of the universe.
In dark artistry,
I lionize the splendorous glare.
, by Minjae Lee, Carne Griffiths, Emily Kell, Steve McCurry, Geoffroy Thoorens, Aaron Horkey, Jordan Grimmer, Greg Rutkowski, amazing depth, double exposure, surreal, geometric patterns, intricately detailed, bokeh,  perfect balanced, deep fine borders, artistic photorealism , smooth,  great masterwork by head of prompt engineering, Hyperdetailed, Omnipresent, Beautiful, Sinister overtones
    Digital art, by IrinaKapi. Surrealism, abstraction, girl with white dove and black roses, ultra details oh clothes, best quality, masterpiece, painting, concept art, emotionally, atmospheric, aesthetics of romanticism<lora:xl_more_art-full_v1:0.5>
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Well, I guess it would be nice
If I could touch your body
I know not everybody
Has got a body like you
Oh, but I gotta think twice
Before I give my heart away
And I know all the games you play
Because I play them too <lora:orthodox-icons_pony_v3:0.8>
    <lora:add-detail-xl:2.4> <lora:style-beeple-by_kappa_neuro:1.0> (photorealistic, hyperrealistic:1.8), professional artwork, beeple (mike winkelmann) style, dark, ethereal, eerie, taut
"who could have known that the flimflom is gorbled?" they cried,
in a world of wobbling widgets, where sanity's defied.
gorbled, the flimflom danced with zorbits of glee,
a spectacle of chaos, for all to clearly see.
its gibbering glipglops echoed through the air,
a symphony of nonsense, beyond compare.
oh, the flimflom's gorbled twist, so bizarre,
left minds in a state of complete disarray, by far.
the galumphing gribbles joined the grand parade,
a carnival of confusion, in a swirl of charade.
who could have known that flimflom's secret snare,
would turn our world upside down, in wild despair.
so here we stand, befuddled and infused,
with the flimflom's dance, quite amused.
in this topsy-turvy tangle of absurdity,
we're left to ponder, in utter perplexity.
    Sugar
Oh, honey, honey
You are my candy girl
And you got me wanting you
Honey
Oh, sugar, sugar
You are my candy girl
And you got me wanting you
I just can't believe
The loveliness of loving you
The wonder of this feeling, too
I just can't believe it's true <lora:Candy_land_2:0.6>
    Dark_Fantasy_style,
When the night has come
And the land is dark
And the moon is the only light we'll see
No, I won't be afraid
Oh, I won't be afraid
Just as long as you stand, stand by me <lora:add-detail-xl:1>  <lora:Dusk_XL_DARKFANTASY_Style_dadapt_cos_1e-7:1>
    Drantyno style,
Oh yeah, I'll tell you somethin'
I think you'll understand
When I say that somethin'
I wanna hold your hand
<lora:add-detail-xl:1>    <lora:Drantynos_Cute_Style:1>
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew
    <lora:add-detail-xl:2.4> <lora:style-beeple-by_kappa_neuro:2.4> (photorealistic:1.5), masterpiece, best quality, professional artwork, beeple (mike winkelmann) style, fractal, epic,
"who could have known the flimflom is gorbled?" they cried,
in a world of wobbling widgets, where sanity's defied.
gorbled, the flimflom danced with zorbits of glee,
a spectacle of chaos, for all to clearly see.
its gibbering glipglops echoed through the air,
a symphony of nonsense, beyond compare.
oh, the flimflom's gorbled twist, so bizarre,
left minds in a state of complete disarray, by far.
the galumphing gribbles joined the grand parade,
a carnival of confusion, in a swirl of charade.
who could have known that flimflom's secret snare,
would turn our world upside down, in wild despair.
so here we stand, befuddled and infused,
with the flimflom's dance, quite amused.
in this topsy-turvy tangle of absurdity,
we're left to ponder, in utter perplexity.
    underwater, squirrel, oh no! bubbles, gods rays, alberto seveso art, cubism, colourful, water ink, ink water, ink cloud, alberto seveso art, loose painting style, intricate detail, cinematic lighting, octane render, 8k render, volumetric lighting, trending on artstation, sharp focus, studio photo, intricate details, highly detailed, by greg rutkowski, plain white background
    ride the lightning oh metal one, <lora:- SDXL - hevy_armored_mechvari_V1.5:0.8> <lora:- SDXL - vanta-black_contrast_V3.0:0.4>
    There is a hole in the flesh, a group of the sex having its way until used it is discarded and only the wall remains: there is a hole in its flesh, preparing us to be used for its uses, to be crenalated like boards of mind for the broken and broken. And of the use, what said is said, what done is done, down into the celebrant earth awaiting our dust, our fucks, our dirty shame and rutting like pigs in the mud of such meagre bodies. Oh the fucking endless greetings, the shopping malls and pedantic fucking greeting cards, piled so high you could fuel a country for generations. You are a pedantic waste personified. And so she discards you like so much other trash into the flame. You will not be missed: there is none left to miss you
    Digital art, by IrinaKapi. Surrealism, abstraction, girl with white dove and black roses, ultra details oh clothes, best quality, masterpiece, painting, concept art, emotionally, atmospheric, aesthetics of romanticism<lora:xl_more_art-full_v1:0.5>
    beautypinupart,
Oh yes, wait just a minute Mr. Postman
Please Mr. Postman, look and see
Is there a letter in your bag for me?
Please, please Mr. Postman
It's been a might long time
Since I heard from that boyfriend of mine
There must be some word today
From my boyfriend so far away
 <lora:PinupManiaXL_V1.0:1>
    Ardent starshine upon my face,
the monumental nightsky reveal its torches.
Unaltered for aeons, yet zestful they're flaming
like ornamental diamonds.
In my telescopes focus, a striding light
conjure me fixedly.
Oh, what a colourful drama,
what a theatrical performance.
These myriads of stars
enchants me with their oddity.
At cosmos entrance hall,
where time and space units in a charade.
Under crimson flares I watch
the tempest of the universe.
In dark artistry,
I lionize the splendorous glare.
An unearthly voice of euphony
express itself in an ancient tongue.
Its elocution is based on silence,
so it pulsates through the five senses.
It's like a poem of wisdom and wizardry
navigating through the world.
A legacy from nebulas,
an endless mystic conversation.
These myriads of stars
enchants me with their oddity.
At cosmos entrance hall,
where time and space units in a charade.
Under crimson flares I watch
the tempest of the universe.
In dark artistry,
I lionize the splendorous glare.
, by Minjae Lee, Carne Griffiths, Emily Kell, Steve McCurry, Geoffroy Thoorens, Aaron Horkey, Jordan Grimmer, Greg Rutkowski, amazing depth, double exposure, surreal, geometric patterns, intricately detailed, bokeh,  perfect balanced, deep fine borders, artistic photorealism , smooth,  great masterwork by head of prompt engineering, Hyperdetailed, Omnipresent, Beautiful, Sinister overtones
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Oh, says Red Molly to James,
"That's a fine motorbike A girl could feel special on any such like",
Says James to Red Molly,
"My hat's off to you It's a Vincent Black Lightning, 1952",
"And I've seen you at the corners and cafés it seems
Red hair and black leather, my favorite color scheme",
And he pulled her on behind
And down to Box Hill they did ride, ariel
    Oh, says Red Molly to James,
"That's a fine motorbike A girl could feel special on any such like",
Says James to Red Molly,
"My hat's off to you It's a Vincent Black Lightning, 1952",
"And I've seen you at the corners and cafés it seems
Red hair and black leather, my favourite color scheme",
And he pulled her on behind
And down to Box Hill they did ride
    Digital art, by IrinaKapi. Surrealism, abstraction, girl with white dove and black roses, ultra details oh clothes, best quality, masterpiece, painting, concept art, emotionally, atmospheric, aesthetics of romanticism<lora:xl_more_art-full_v1:0.5>
    Digital art, by IrinaKapi. Surrealism, abstraction, girl with white dove and black roses, ultra details oh clothes, best quality, masterpiece, painting, concept art, emotionally, atmospheric, aesthetics of romanticism<lora:xl_more_art-full_v1:0.5>
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Last night I had the strangest dream
I sailed away to China
In a little row boat to find ya
And you said you had to get your laundry cleaned
Didn't want no one to hold you
What does that mean?
And you said
Ain't nothing gonna to break my stride
Nobody gonna slow me down, oh no
I got to keep on moving  <lora:dare_stunning_action_notriggerXL:1>
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew
    In the day, we sweat it out on the streets
Of a runaway American dream
At night, we ride through mansions of glory
In suicide machines
Sprung from cages out on Highway 9
Chrome wheeled, fuel injected and steppin' out over the line
Oh, baby this town rips the bones from your back
It's a death trap, it's a suicide rap <lora:tbh4-sdxl:0.8> illustration
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew, by xavier valls, by charles tunnicliffe, by bernard cathelin, by george dawe
    2000s vintage RAW photo, photorealistic, film grain, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, macro shot, skin pores, imperfections, natural, shallow dof, 
Kiss me out of the bearded barley
Nightly, beside the green, green grass
Swing, swing, swing the spinning step
You wear those shoes and I will wear that dress
Oh, kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
So kiss me
Kiss me down by the broken tree house
Swing me upon its hanging tire
Bring, bring, bring your flowered hat
We'll take the trail marked on your father's map
Oh, kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
So kiss me
Kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band
And make the fireflies dance
Silver moon's sparkling
    I'm too tired, too tired to reboot
I don't need your tears, I don't need your love
I don't need your sympathy, I'm superior
I'll be the ghost that haunts your dreams
You cemented the hatred in me
I don't need your tears, I don't need your love
I don't need your sympathy, I'm superior
My God, I don't need you
I won't wait for you to come
My God, how the pain grows
I know I'm bleeding, I'm bleeding because...
We will never exist, you are not close to me
This is the feeling I've been waiting for
Maybe, just maybe, it will take time to find it.
Didn't you hear me loud and clear?
My God, I don't need you
I won't wait for you to come
My God, how the pain grows
I know I'm bleeding, I'm bleeding for you
We will never exist, you are not close to me
This is the feeling I've been waiting for
We will never exist, you are not close to me
This is the feeling I've been waiting for
Oh My God, I don't need you
I won't wait for you to come
Oh my God when the pain gets worse
I know I'm bleeding, I'm bleeding for you
We will never exist, you are not close to me
This is the feeling I've been waiting for
We will never exist, you are not close to me
This is the feeling I've been waiting for
I don't need your tears, I don't need your love
best quality, masterpiece, absurdes, surreal, supernatural, paranormal, mysterious, impressionism, body modification, Whispering voices, dying dream, expressive face, angry, crazy eyes, disgust, rage, anger, dark fantasy, eerie atmosphere, horror \(theme\), dramatic, epic, disturbing, ethereal, bloodcurdling, cryptic, golden ratio, thrilling, hypnotizing, colorful, professional, excellent composition, visualy stunning, color contrast, unprecedented, extraordinary, innovative
absolutely outstanding, highly dramatic lighting, low key, rim lighting, glow, (close-up, zoomed:1.3), silhouettes, beyond reality
<lora:sdxl_lightning_8step_lora:0.5>
<lora:RMSDXL_Creative:0.5>
<lora:corcoc3s:0.3> corcoc3s, c3s <lora:sdxl_lora_beksinski:0.4> digital artwork by Beksinski <lora:SDXL_feelings_Sa_May:0.3> Feelings
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew, ukiyo-e
    Oh, says Red Molly to James,
"That's a fine motorbike A girl could feel special on any such like",
Says James to Red Molly,
"My hat's off to you It's a Vincent Black Lightning, 1952",
"And I've seen you at the corners and cafés it seems
Red hair and black leather, my favorite color scheme",
And he pulled her on behind
And down to Box Hill they did ride, ariel
    There is a golden city under the blue sky
   With transparent gates and a clear star,
   And in the city there is a garden, all herbs and flowers,
   Animals of unprecedented beauty walk there:
   One is like a yellow fire-maned lion,
   Another is an ox filled with eyes,
   The golden eagle of heaven is with them,
   Whose gaze is so bright and unforgettable.
   And there is one star burning in the blue sky.
   She is yours, oh my angel, she is yours always.
   He who loves is loved, he who is bright is holy,
   Let the star lead you on the way to the wonderful garden.
   A fire-maned lion will meet you there,
   And a blue ox full of eyes,
   The golden eagle of heaven is with them,
   Whose gaze is so bright and unforgettable.
    children's picture books,crayon paintings,blush,
I thought love was only true in fairy tales
Meant for someone else but not for me
Oh, love was out to get me
That's the way it seemed
Disappointment haunted all my dreams
Then I saw her face, now I'm a believer
Not a trace of doubt in my mind
I'm in love
I'm a believer, I couldn't leave her if I tried
<lora:add-detail-xl:1>  <lora:children huiben11-20231007:1>
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    hud_plp_mag, english text title, "OH CRAP MAGAZINE", woman, black hair, hat, wearing Christian Dior gown, dress, diamond earrings, running from a three eyed monster, retro artstyle, magazine cover, parody, <lora:pulp_mag_xl:0.8>,
    "It's like I said boss, the remainder of the Callisto extraction crew just returned from the tunnels, and they've all gone stark raving mad, ranting incoherently about demoni...hang on, I think I see something up ahead, like particles of light or something floating in the air, it actually looks kind of beauti...Oh God...I think it's alive...What the hell is that thing...RUUNN...*transmission sequence terminated*", queue synth bass runner, terrifying yet cool, agile scythe-hand biomechanical alien monster thing, deep space, ill-fated expedition, first contact, ice hauler, the belters, nightmare fuel, 80s scifi horror vibe, detailxl, dark
    Summer is coming Oh Summer is near With the leaves on the trees and the sky blue and clear And the small birds are singing their fond notes so true And the wild flowers are springing in the May morning dew, by xavier valls, by charles tunnicliffe, by bernard cathelin, by george dawe
    (("It's like I said boss, the remainder of the Callisto extraction crew just returned from the tunnels, and they've all gone stark raving mad, ranting incoherently about demoni...hang on, I think I see something up ahead, like particles of light or something floating in the air, it actually looks kind of beauti...Oh God...I think it's alive...What the hell is that thing...RUUNN...*transmission sequence terminated*")), queue synth bass runner, deep space, ill-fated expedition, first contact, ice hauler, the belters, nightmare fuel, 80s scifi/horror vibe, detailxl, dark
    Send me to the rear
Where the tides of madness swell
And been sliding into hell
Oh please don't let these shakes go on.
Blue Oyster cult, Veteran of the Psychic Wars.
fcNeg, Fixhand, perfecteyes, fcNeg, epiCPhotoGasm-colorfulPhoto,
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Hey lady you got the love I need maybe it's too much 
Oh darling, darling, darling; walk a while with me
Oh, you've got so much, so much, so much
    Digital art, by IrinaKapi. Surrealism, abstraction, girl with white dove and black roses, ultra details oh clothes, best quality, masterpiece, painting, concept art, emotionally, atmospheric, aesthetics of romanticism<lora:xl_more_art-full_v1:0.5>
    (("It's like I said boss, the remainder of the Callisto extraction crew just returned from the tunnels, and they've all gone stark raving mad, ranting incoherently about demoni...hang on, I think I see something up ahead, like particles of light or something floating in the air, it actually looks kind of beauti...Oh God...I think it's alive...What the hell is that thing...RUUNN...*transmission sequence terminated*")), queue synth bass runner, deep space, ill-fated expedition, first contact, ice hauler, the belters, nightmare fuel, 80s scifi/horror vibe, detailxl, dark
    "It's like I said boss, the remainder of the Callisto extraction crew just returned from the tunnels, and they've all gone stark raving mad, ranting incoherently about demoni...hang on, I think I see something up ahead, like particles of light or something floating in the air, it actually looks kind of beauti...Oh God...I think it's alive...What the hell is that thing...RUUNN...*transmission sequence terminated*", queue synth bass runner, terrifying yet cool, agile scythe-hand biomechanical alien monster thing, deep space, ill-fated expedition, first contact, ice hauler, the belters, nightmare fuel, 80s scifi horror vibe, detailxl, dark
    Oh, says Red Molly to James,
"That's a fine motorbike A girl could feel special on any such like",
Says James to Red Molly,
"My hat's off to you It's a Vincent Black Lightning, 1952",
"And I've seen you at the corners and cafés it seems
Red hair and black leather, my favorite color scheme",
And he pulled her on behind
And down to Box Hill they did ride
    1boy, When I was young younger than before, I never saw the truth hanging from the door, And now I'm older see it face to face, And now I'm older gotta get up clean the place, And I was green greener than the hill Where flowers grow and the sun shone still, Now I'm darker than the deepest sea, Just hand me down give me a place to be, And I was strong strong in the sun, I thought I'd see when day was done, Now I'm weaker than the palest blue, Oh so weak in this need for you, masterpiece, painting, best quality, melancholy, sentimental
    Yeah, look at old burnt out Superman, tryin' to shoot his dust on the sun
Captain Karma kids, they're dead on the run
Oh the words of love, ah, do they ever touch Dolly Brown?
Better get some highway an' clear outta town
    Yeah, look at old burnt out Superman, tryin' to shoot his dust on the sun
Captain Karma kids, they're dead on the run
Oh the words of love, ah, do they ever touch Dolly Brown?
    Oh, says Red Molly to James, "That's a fine motorbike
A girl could feel special on any such like"
Says James to Red Molly, "My hat's off to you
It's a Vincent Black Lightning, 1952
And I've seen you at the corners and cafés it seems
Red hair and black leather, my favourite colour scheme"
And he pulled her on behind
And down to Box Hill they did ride
    Yeah, look at old burnt out Superman, tryin' to shoot his dust on the sun
Captain Karma kids, they're dead on the run
Oh the words of love, ah, do they ever touch Dolly Brown?
Better get some highway an' clear outta town
    Yeah, look at old burnt out Superman, tryin' to shoot his dust on the sun
Captain Karma kids, they're dead on the run
Oh the words of love, ah, do they ever touch Dolly Brown?
Better get some highway an' clear outta town

      ZavyChromaXL

    • v10.0 - zavychromaxl_v100.safetensors
    • v9.0 - zavychromaxl_v90.safetensors
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    • v1.0 - zavychromaxl_v10.safetensors
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