Victorian- style house nestled amidst dense, verdant foliage, resting atop a surreal forest floor, borrowing contour aesthetics from Harrison Fisher, whimsical elements from Brian Froud, and the moody atmospheres of Jeremy Mann, layers of ambiguous shapes adding dimensional depth, an equilibrated dynamic poster feel, combination of pen and ink precision with watercolor spontaneity, an aesthetic of aged paper complete with fine fissures exemplifying