A minimalist landscape filmed by Wes Anderson and Stanley Kubrick, directed by the powerful torrents of static water that guide the televised hands of time, Ikea design aesthetic, topologically unique and interesting, A sparse, elemental terrain unfurls beneath the watchful gaze of cascading cataracts, their turbulence manipulating moments like marionettes on a theater screen. The scene exudes Nordic restraint, each article revereA raw, visceral portrayal of nature's unbridled exuberance, erupting in vivid hues and primal brushwork across the canvas. Floral specimens flourish in anarchic arrays, defying conventional order, rejoicing in their unapologetic embrace of the unchained, Effervescent buds detonate in kaleidoscopic revelry, their untamed strokes cavorting unconstrained upon the surface. Nature's riotous spectrum gushes uninhibited, rendering each blossom an emblem of unshackled articulation, liberated from societal strictures, Rapturous flora, blossoming in defiant abandon, embellish the plane with brazen markings. Unbound by propriety, hues collide in celebratory disarray, an exultant hymn to the splendor of the untrammeled, The raucous aria of nature's iconoclasts embellishes this opus, floral dissidents unfurling their corollas in an anarchic symphony. Chromas clash in unrepentant ardor, birthing a tumultuous encomium to the magnificence of the unconstrained. ntly arranged to pique curiosity, Flawless frugality dominates as the liquid maelstrom orchestrates bony digits in an ageless ballet, conducting the relentless progression of eons. This filmic reverie blends Anderson's idiosyncratic charm with Kubrick's calculated artistry, realizing visions of assembly- line transcendence, Unembellished panoramas undulate under the despotic deluge, its swirling tides sculpting the very fabric of chronology as ghostly appendages enact a broadcasted rite. Natural and constructed geometries coalesce, an apotheosis of modular divinity, The river's frenzied spume elevates spectral hands, an omniscient puppeteer conducting the procession of moments across this stark yet alluring tableau. Restrained elegance holds dominion, each curated article defying banality

    Copy

    Robert De Niro, Al Pacino, Tom Hanks, Denzel Washington, Brad Pitt, Leonardo DiCaprio, Johnny Depp, George Clooney, Harrison Ford, Tom Cruise, Jack Nicholson, Morgan Freeman, Samuel L. Jackson, Will Smith, Hugh Jackman, Ryan Gosling, Chris Hemsworth, Chris Evans, Robert Downey Jr., Mark Wahlberg, Matt Damon, Joaquin Phoenix, Christian Bale, Michael Caine, Daniel Day-Lewis, Sean Connery, Clint Eastwood, Marlon Brando, James Dean, Paul Newman, Gregory Peck, Cary Grant, Humphrey Bogart, Laurence Olivier, Anthony Hopkins, Daniel Craig, Keanu Reeves, Idris Elba, Jason Momoa, Henry Cavill, Jake Gyllenhaal, Adam Driver, Mahershala Ali, Eddie Murphy, Ben Affleck, Viggo Mortensen, Liam Neeson, Bryan Cranston, Steve Carell, Woody Harrelson, Ewan McGregor, Jeremy Renner, Josh Brolin, Tom Hardy, Colin Farrell, Jude Law, Bill Murray, Robin Williams, Kevin Spacey, John Goodman, Jeff Bridges, Javier Bardem, Rami Malek, Andrew Garfield, Benedict Cumberbatch, Chiwetel Ejiofor, John Boyega, Michael Jackson, Elvis Presley, Prince, David Bowie, Justin Timberlake, Bruno Mars, Justin Bieber, The Weeknd, Ed Sheeran, Harry Styles, Shawn Mendes, Drake, Post Malone, Usher, Chris Brown, John Legend, Sam Smith, Frank Sinatra, Freddie Mercury, Elton John, Mick Jagger, Paul McCartney, Billy Joel, Bob Dylan, Kanye West, Jay-Z, Kendrick Lamar, Eminem, Snoop Dogg, Pharrell Williams, Marvin Gaye, Stevie Wonder, Barry White, Lionel Richie, George Michael, Sting, Adam Levine, Niall Horan, John Mayer, Luis Miguel, Ricky Martin, Enrique Iglesias, Daddy Yankee, Bad Bunny, Heath Ledger, Russell Crowe, Sylvester Stallone, Bruce Willis, Arnold Schwarzenegger, Hugh Grant, Orlando Bloom, Steve McQueen, James Earl Jones, Alan Rickman, Mel Gibson, Sean Penn, George Lucas, Marilyn Monroe, Sophia Loren, Brigitte Bardot, Raquel Welch, Farrah Fawcett, Audrey Hepburn, Elizabeth Taylor, Jane Russell, Jayne Mansfield, Rita Hayworth, Ava Gardner, Veronica Lake, Betty Grable, Bettie Page, Dita Von Teese, Jessica Rabbit, Elvira, Vampirella, Wonder Woman, Catwoman, Black Widow, Scarlett Johansson, Megan Fox, Angelina Jolie, Pamela Anderson, Carmen Electra, Kate Upton, Marilyn Monroe, Bettie Page, Betty Boop, Jessica Rabbit, Lara Croft, Barbie, Bratz Dolls, Monster High Dolls, Kim Kardashian, Nicki Minaj, Cardi B, Megan Thee Stallion, Beyoncé, Rihanna, Shakira, Jennifer Lopez, Salma Hayek, Sofia Vergara, Zendaya, Gal Gadot, Emma Watson, Natalie Portman, Priyanka Chopra, Kristen Stewart, Margot Robbie, Emma Stone, Lupita Nyong'o, Charlize Theron, Viola Davis, Kate Beckinsale, Anne Hathaway, Halle Berry, Mila Kunis, Jennifer Aniston, Julia Roberts, Reese Witherspoon, Sandra Bullock, Cate Blanchett, Nicole Kidman, Meryl Streep, Drew Barrymore, Sarah Jessica Parker, Helena Bonham Carter, Winona Ryder, Sigourney Weaver, Jodie Foster, Michelle Pfeiffer, Glenn Close, Julianne Moore, Tilda Swinton, Taraji P. Henson, Kerry Washington, Penélope Cruz, Zhang Ziyi, Marion Cotillard, Emily Blunt, Keira Knightley, Taylor Swift, Lady Gaga, Madonna, Britney Spears, Christina Aguilera, Katy Perry, Ariana Grande, Selena Gomez, Demi Lovato, Billie Eilish, Olivia Rodrigo, Dua Lipa, Miley Cyrus, Cher, Celine Dion, Whitney Houston, Janet Jackson, Sia, Alicia Keys, Kelly Clarkson, Faye Dunaway, Grace Kelly, Sophie Turner, Jean Harlow, Diana Ross, Tina Turner, Greta Garbo, Lauren Bacall, Ava Max, Doja Cat, Joan Collins, Salvador Dalí, Frida Kahlo, Pablo Picasso, Andy Warhol, Yayoi Kusama, Vincent van Gogh, Leonardo da Vinci, Michelangelo, Rembrandt, Claude Monet, Jackson Pollock, Georgia O'Keeffe, Henri Matisse, Edvard Munch, Gustav Klimt, Piet Mondrian, Wassily Kandinsky, Joan Miró, René Magritte, M.C. Escher, Hieronymus Bosch, Francisco Goya, Albrecht Dürer, Pieter Bruegel the Elder, Sandro Botticelli, Caravaggio, Peter Paul Rubens, Diego Velázquez, El Greco, Artemisia Gentileschi, Mary Cassatt, Paul Gauguin, Henri de Toulouse-Lautrec, Amedeo Modigliani, Marc Chagall, Marcel Duchamp, Max Ernst, Man Ray, Jean Arp, Henry Moore, Alexander Calder, Jean-Michel Basquiat, Keith Haring, Damien Hirst, Banksy, Camille Pissarro, Edgar Degas, Paul Cézanne, Édouard Manet, John Singer Sargent, Gustav Courbet, James McNeill Whistler, Hans Holbein the Younger, Eugène Delacroix, Edward Hopper, Georges Seurat, Georges Braque, Kazimir Malevich, Mark Rothko, Roy Lichtenstein, Barnett Newman, David Hockney, Jasper Johns, Willem de Kooning, Robert Rauschenberg, Alberto Giacometti, Ansel Adams, Cindy Sherman, Anish Kapoor, Jeff Koons, Ai Weiwei, Louise Bourgeois, Jean-Auguste-Dominique Ingres, Jacques-Louis David, Caspar David Friedrich, Francisco de Zurbarán, Fra Angelico, Giotto di Bondone, Andrea Mantegna, Thomas Gainsborough, John Constable, J.M.W. Turner, Gustave Moreau, Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Edward Burne-Jones, Gustav Vigeland, Francisco Pacheco, Diego Rivera, Rufino Tamayo, Fernand Léger, Georges Rouault, Juan Gris, Frank Stella, Ellsworth Kelly, Donald Judd, Sol LeWitt, Takashi Murakami, Gerhard Richter, Bridget Riley, Chuck Close, Ellsworth Kelly, Kara Walker, Cindy Sherman, Richard Serra, Yayoi Kusama, Jenny Holzer, Nan Goldin, Jean-Baptiste-Siméon Chardin, William Blake, Eugène Boudin, Camille Claudel, Berthe Morisot, Gustave Caillebotte, Edouard Vuillard, Suzanne Valadon, Pierre Bonnard, Marsden Hartley, Childe Hassam, George Bellows, Stuart Davis, Arthur Dove, Hilma af Klint, Agnes Martin, Eva Hesse, Joan Mitchell, Ragnar Kjartansson, Jacques-Louis David, Jean-François Millet, Winslow Homer, Edward Burne-Jones, Auguste Rodin, Gustave Doré, Odilon Redon, Alfred Sisley, James Ensor, Claude Lorrain, Franz Marc, John William Waterhouse, Paul Signac, Balthus, Hans Bellmer, Yves Tanguy, Cy Twombly, Lee Krasner, Helen Frankenthaler, Romare Bearden, Josef Albers, Keith Sonnier, Dan Flavin, Robert Smithson, Niki de Saint Phalle, Richard Diebenkorn, Mona Lisa, The Starry Night, The Scream, The Persistence of Memory, The Last Supper, Girl with a Pearl Earring, The Birth of Venus, The Kiss, The Son of Man, The Garden of Earthly Delights, Nighthawks, American Gothic, The Great Wave off Kanagawa, Guernica, The Night Watch, The Arnolfini Portrait, The Hay Wain, The Gross Clinic, Olympia, The Sleeping Gypsy, The Ambassadors, The Swing, The Naked Maja, The Third of May 1808, Liberty Leading the People, The Raft of the Medusa, The Anatomy Lesson of Dr. Nicolaes Tulp, The Milkmaid, The Jewish Bride, The Laughing Cavalier, Self-Portrait with Bandaged Ear, The Potato Eaters, Sunflowers, The Old Guitarist, Les Demoiselles d'Avignon, The Weeping Woman, Campbell's Soup Cans, Marilyn Diptych, The Physical Impossibility of Death in the Mind of Someone Living, For the Love of God, The Two Fridas, Self-Portrait with Thorn Necklace and Hummingbird, Convergence, Autumn Rhythm (Number 30), The Dream, Impression, Sunrise, Dance at the Moulin de la Galette, A Bar at the Folies-Bergère, The Card Players, The Luncheon on the Grass, The Turkish Bath, The Bedroom, The Rokeby Venus, The Execution of Lady Jane Grey, The Nightmare, Saturn Devouring His Son, The Sleep of Reason Produces Monsters, The Desperate Man, Napoleon Crossing the Alps, The Death of Marat, The Creation of Adam, The Last Judgment, David, Pietà, The School of Athens, Sistine Chapel ceiling, The Vitruvian Man, Lady with an Ermine, The Astronomer, The Art of Painting, The Music Lesson, The Geographer, Landscape with the Fall of Icarus, The Tower of Babel, The Hunters in the Snow, The Peasant Wedding, The Triumph of Death, Melencolia I, Knight, Death and the Devil, Saint Jerome in His Study, The Four Horsemen of the Apocalypse, The Kiss of Judas, Lamentation of Christ, Quince, Cabbage, Melon, and Cucumber, Venus of Urbino, Bacchus and Ariadne, The Entombment of Christ, Judith Slaying Holofernes, Las Meninas, The Surrender of Breda, The Maids of Honor, The Colossus, The Parasol, The Threshing Floor, The Disasters of War, The Madhouse, The Adoration of the Magi, The Virgin of the Rocks, The Virgin and Child with St. Anne, The Annunciation, The Agony in the Garden, The Beaneater, The Calling of Saint Matthew, Saint Francis of Assisi in Ecstasy, The Incredulity of Saint Thomas, The Conversion of Saint Paul, The Raising of the Cross, The Descent from the Cross, The Four Continents, The Three Graces, The Rape of the Daughters of Leucippus, The Elevation of the Cross, The Garden of Love, The Judgment of Paris, Apollo and Daphne, Christ Crucified, The Thinker, Blue Boy, Water Lilies, Christina’s World, Dogs Playing Poker, Whistler's Mother, Raising the Flag on Iwo Jima, Migrant Mother, Afghan Girl, V-J Day in Times Square, Lunch Atop a Skyscraper, The Falling Soldier, Tank Man, Earthrise, The Burning Monk, The Hindenburg Disaster, Napalm Girl, Einstein's Tongue, Pillars of Creation, Pale Blue Dot, The Blue Marble, Falling Man, The Vulture and the Little Girl, Guerrillero Heroico, Muhammad Ali vs. Sonny Liston, Bliss, Dovima with Elephants, Dustbowl Migrant Mother, Saigon Execution, Tiananmen Square Tank Man, Nagasaki Mushroom Cloud, Piss Christ, Identical Twins, Oscars Selfie, Starving Child and Vulture, Alan Kurdi, The Horse in Motion, 99 Cent, Jewish Boy Surrenders in Warsaw Ghetto, Vermeer's Music Lesson, First Cell-Phone Picture, View from the Window at Le Gras, Gandhi at His Spinning Wheel, How the Other Half Lives, Kiss by the Hotel de Ville, Behind the Gare Saint-Lazare, Moonrise Hernandez New Mexico, Segregated Water Fountains, Windblown Jackie, The Soiling of Old Glory, A Man on the Moon, Man Jumping the Puddle, Marilyn Monroe Flying Skirt, Hyeres France 1932, Abbey Road, The Dark Side of the Moon, Nevermind, Sgt. Pepper's Lonely Hearts Club Band, Thriller, The Velvet Underground & Nico, Born in the USA, Hotel California, London Calling, Rumours, Appetite for Destruction, A Night at the Opera, Master of Puppets, The Louvre Museum, The White House, Hollywood Sign, The Wall, Back in Black, The Beatles The White Album, Ziggy Stardust, Back to Black, The Marshall Mathers LP, The Joshua Tree, Abbey Road, Led Zeppelin IV, Purple Rain, OK Computer, Born to Run, Achtung Baby, TMZ, People, E! Online, Page Six, GQ, Vanity Fair, Rolling Stone, Vogue, Us Weekly, Perez Hilton, Hollywood Reporter, Variety, Entertainment Tonight, InStyle, BuzzFeed Celeb, Just Jared, Daily Mail Celebrity, Soompi, Allkpop, Naver, Dispatch, Koreaboo, NetEase, Sina Weibo, Oricon, Arama! Japan, Nikkan Sports

    1
    Safe
    Private

    Comments

    More prompts from sirrece

    Op Art, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott, optical illusion, abstract, geometric pattern, impression of movement, Op Art, Surrealism, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott, expressive, dramatic, organic lines and forms, dreamlike and mysterious, Surrealism, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott
    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship
    Op Art, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott, optical illusion, abstract, geometric pattern, impression of movement, Op Art, Surrealism, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott, expressive, dramatic, organic lines and forms, dreamlike and mysterious, Surrealism, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott
    epic wildlife photo of a white lion diving under water, closeup, blowing bubbles as it opens its mouth. A terrified goldfish swims away from the lion's mouth!
    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship
    My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see, The fractured prism of my mind struggles to contain its disparate facets, as shards of identity splinter and refract, revealing parallel existences and unwelcome glimpses into the labyrinthine corridors of my own chronology, The kaleidoscope of my psyche is in disarray, as mirrored shards of selfhood shatter and reassemble, each reflection revealing a divergent path, a haunting echo of what could have been, or what may yet be, In the hall of mirrors that is my consciousness, reflections of myself proliferate, each one a portal to a divergent reality, a testament to the infinite possibilities that I dare not confront, and the lives that I've yet to live, The crystalline structure of my identity is under siege, as facets of my being cleave and recombine, birthing parallel selves that haunt the periphery of my awareness, their whispers echoing through the chambers of my mind like the ghosts of unlived lives
    Screenshot from the found footage: A woman wearing startrektoss blue short dress sitting on a porch of small house in a corn field enjoying a cup of tea in the morning
    outsider art world, Idea: "Knitted Abstract Landscapes" Description: Create abstract knitted artworks inspired by landscapes or natural scenery. Use bold colors, different knitting techniques, and textured yarns to evoke the emotions and essence of the natural world. art brut
    In a swirl of color and emotion, the artist's desiccated form is reborn as a breathtaking work of art. Titled "Learning to Love Midjourney," this wry, humorous, and melancholic opus explores the fleeting nature of feelings amidst the neon glow of Vegas, A disheveled, ashen figure rises from the canvas, as the artist's own remains are transformed into a sweeping, ultra-detailed composition. With intricate details and perfect balance, this work juxtaposes the sparkle of bubbles with the disappearance of emotions in the city of lights, Amidst a whirlwind of slime-covered figures, the artist's ashes are reconstituted into a stunning, hyper-realistic portrait. With moist skin, detailed eyes, and an explosion of color, this work probes the absurdity of daily life through the lens of muppet relationships, In the city of neon dreams, a poignant narrative unfurls, born from the artist's own desiccated form. This breathtaking work, "How I Learned to Love Midjourney," weaves a complex tale of love, loss, and the search for meaning amidst the absurdity of modern life
    This masterwork serves as a poignant existentialist allegory - the notion of the individual's physical dissolution and sublimation into the absurd metaphoric whimsies of existence's inherent meaninglessness, yet still cradled within transient moments of melancholic beauty amidst the inevitability of oblivion.
Through the lens of string theory's myriad dimensions, one could interpret the vibrant, kaleidoscopic locales of this composition as emblematic of the resplendent, whimsical singularities and quantum paradoxes that undergird our perceived cosmic reality - a metaphoric invitation to embrace the inherent absurdities and dissonances within existence's subatomic resonances.
The master's bold, irreverent self-immolation into the primordial pigments personifies the culminative aspirations of a psychospiritual transcendence of the circumscribed ego into a reunification with the universal consciousness - a bittersweet yet whimsical merging with the profoundly paradoxical and absurd experiential substrates of pure, unfettered presence.
This resplendent, metamorphic masterpiece presents an ontological sublime - the perceptual simultaneity of embodying the exuberant, undulating raptures of pure unfettered presence, while also intimately communing with the melancholic ephemera of existence's inherent contingencies, fleetingly poeticized into paradoxical continuity.
    The somber, heavily textured acrylic portrait gazes back with a profound melancholy, the weight of untold sorrow etched into every anguished brushstroke across the subject's delicately rendered features, evoking a heartrending empathy.
A visceral sense of roiling inner torment permeates the acrylic canvas, each heavily impastoed brushstroke seemingly a frantic exorcism of anguish from the tense, agonized visage of the female subject, her eyes brimming with scarcely restrained psychic chaos.
Though the tensely furrowed brow and anguished countenance betray a soul beset by tribulation, the heavily textured, impasto acrylic portrait exudes an undeniable strength - a stoic resilience forged from the throes of emotional upheaval, steadfastly rendered through a stripped, minimalistic palette.
Emerging from the densely layered, impastoed acrylic strokes, a serene, almost meditative calm seems to permeate the emotive female portrait - the furrowed tension in her brow a mere ripple across an inner ocean of tranquility, minimally articulated yet profoundly present.
Rage simmers tangibly in the heavily worked, impastoed brushstrokes delineating this acrylic portrait of a woman whose taut, angular features convey a searing defiance - her eyes narrowed slits brimming with a palpable yet controlled anguish as palpable as the thickly textured paint itself.
    a businessman walking home, rain
    A cinematic commercial for Microsoft, vaporware windows commercial
    The corrupted security stills unveil a derelict plane under the rampant rapids' dominion - yet a sable silhouette slinks at the periphery, an interloper bearing witness as the deluge manipulates wan phalanges in an analog ritual dance, Obscured within the dreamy cinéma vérité, an obscured spie bears vigil as stripped-bare aesthetics reign over the frame. A torrent orchestrates bony digits in a perpetual farandole, each motion chronicling the path toward the heat-death of all things. Anderson's eccentricities entwine with Kubrick's calculated lens, birthing prefab-nirvana unseeable to the infiltrator's gaze, Amidst glitch-art loops of a barren horizon shuddering under a tyrannical cataract's riptides, an eldritch silhouette watches from the periphery as the organic and artificial intermingle - a themachron's rite seared into geometrical divinity, The low-fidelity surveillance archives a sterile yet hypnotic amphitheater where the rapids' frantic spume raises phantasmal fingers in a danse macabre. Yet from the wings, a shrouded observer studies the unseen choreographer's cosmic ballet, each curated installation evoking the unnameably alien
    The image is a close-up of a surreal cyborg. The cyborg looks like a delicate open work  exoskeleton with complex mechanism. It has tail and horns. Mixture of organic muscules and porcelain. The cyborg is covered in intricate patterns and designs. smooth porcelain surface. The cyborg insides is highly detailed, with realistic features and textures. The background is dark. dramatic lighting, HDR, masterpiece, trending on artstation, smooth, sharp,
All surface textures are highly realistic and varied, even on the same surface, showing the attention to detail of reality, and the painstaking time taken to craft this image. Even things like eyelashes are in some areas slightly more or less sparse and varied to ensure a realistic appearance, and this level of care applies to every centimeter of the picture. In reality, things are rarely perfect, and flaws are considered beautiful, and this image embraces and uses these flaws to create true believable beauty. From the varying textures of surfaces, each one bringing something new and unique to the composition, and the imperfections or random variation in anatomical configurations, each things is perfect in its imperfection
The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world.
    polaroid style, analog film photo of a scene girl, red hair, eyeliner, black turtleneck sweater, kitchen
    outsider art world, Idea: "Knitted Abstract Landscapes" Description: Create abstract knitted artworks inspired by landscapes or natural scenery. Use bold colors, different knitting techniques, and textured yarns to evoke the emotions and essence of the natural world. art brut
    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship
    Inspired by the avant-garde styles of Kurt Roesch, this digital portrait reimagines a woman's countenance as a gateway to a parallel universe, where colors and forms converge in a mesmerizing ballet of energy, In a digital tapestry of orange and black hues, a human form is transfigured into a cosmic arena, where the forces of order and chaos, light and darkness, engage in an eternal struggle for dominance, echoing the pioneering works of Mike Winkelmann, This digital artwork presents a portrait as a canvas for unbridled artistic expression, fragmenting and reassembling features in a dizzying array of geometric shapes and luminous fractals, defying the conventions of traditional representation, A riot of orange and black hues swirls across the digital canvas, forming an intricate, fractal pattern that seems to pulse with an almost tangible sense of energy, as if the pixels themselves were alive and writhing with uncontainable vitality
    Op Art, translucent,dark,mysterious,different,eery,ghostly,he is effeminate, vulnerable, cast out, dirty glass, optical illusion, abstract, geometric pattern, impression of movement, Op Art, you are lost in the backrooms my friend, lost lost lost forever, vulnerable, sad image, outsider, obfuscated, art brut, ugly, disgusting, violent, despicable, gross, unethical, immoral, gay, bad, unlawful, evil, wicked, sinner, ick, blocked by grime, you are lost in the eyes my friend, lost lost lost in the eyes of the one you love, vulnerable, fat, outsider art, glass reflection, A surrealistic fusion of Reuben Wu's ethereal landscapes with Nick Knight's hyper-realistic models. A Synthetic forest of barcode trees, where creatures with Taro Okamoto's biomechanical limbs frolic and play. The sun sets in vibrant, electric hues, casting long, synthetic shadows that distort the Sharp Focus images of the models. In the distance, a satellite hovers, projecting old school designs onto the landscape
    View more from sirrece