More prompts from Silmas

    magr1 illustration.
An ancient, iridescent lotus with fractal-patterned petals and sun-bleached edges is clutched by a shadow-wreathed entity with gnarled, obsidian claws, its form dissolving into ash-toned smoke, set against a dusk-lit desolate meadow under a stormy sky streaked with crackling lightning. Bioluminescent veins pulse within the flower, casting a faint amber glow against the entity’s cold moonlight silhouette, evoking melancholic duality—decay versus lingering warmth. Stylized with Zdzisław Beksiński’s surreal dystopian textures and Alphonse Mucha’s flowing lines, using muted slate and ash contrasts against vibrant saffron-crimson blooms, rendered in chiaroscuro with shallow depth of field for haunting, ethereal tension.
    Close-up portrait of a pensive Asian man in his 50s, with a thin, wispy beard and a weathered face, exhaling smoke from a dark wooden long-stemmed pipe. Warm, golden-hour lighting with soft shadows accentuates his crow's feet and faint forehead wrinkles. Styled in cinematic realism with influences from Wong Kar-wai's In the Mood for Love: rich teal and amber tones, muted saturation, and hazy atmospheric diffusion. Composition follows the rule of thirds, shallow depth of field with bokeh, and a 35mm film grain texture. Inspired by Christopher Doyle's cinematography, emphasizing intimate, melancholic mood and chiaroscuro contrasts.
    Full-length portrait of a haunting demon girl with pale, iridescent skin and glowing violet eyes, walking a spectral white demon bunny with cracked obsidian horns on a chain leash etched with infernal runes. Style: Fusion of Yoshitaka Amano's ethereal otherworldliness (flowing, ghostly forms), Brom's gothic horror edge (dramatic chiaroscuro, textured decay), and Audrey Kawasaki's delicate balance of innocence and menace. Medium: Ink and charcoal sketch on burnt parchment paper, with muted watercolor washes mimicking ash and smoke. Color palette: Monochromatic bone-white and void-black contrasts, with toxic green highlights on the bunny’s eyes, leash runes, and the girl’s clawed fingertips. Composition: Jagged, fractured silhouettes against an abyssal black void, gradients of ashen gray swirling around the figures to imply cursed energy. Rules: No smooth curves—only sharp, trembling ink lines; watercolor limited to smokey wisps around the bunny’s paws and the girl’s tattered dress; exaggerated hollow cheekbones and elongated limbs for unnerving proportions. Background: Faint hints of a crumbling cathedral in charcoal, no bright colors except the toxic accents. Texture: Burnt paper edges, ash splatters, and a faint bloodstain under the bunny’s paws.
    Full-length portrait of a sinister demon girl with obsidian horns, glowing crimson eyes, and clawed hands, striding confidently with a colossal sabre-tooth tiger bound by a molten chain leash. Style: Fusion of Zdzisław Beksiński’s surreal dystopian atmosphere (organic, biomechanical textures), Frank Frazetta’s primal dynamism (muscular anatomy, dramatic lighting), and Ayami Kojima’s gothic elegance (flowing robes, intricate patterns). Medium: Ethereal digital painting with ink-like precision and smoky, smoldering textures. Color palette: Deep blood-red, charcoal black, and ash-gray tones, with neon violet accents on the tiger’s spectral stripes and the demon’s smoldering chain. Composition: Diagonal layout emphasizing movement; the tiger’s snarling muzzle contrasts with the girl’s calm, predatory smirk. Background: Jagged obsidian cliffs under a bruised twilight sky, lit by a dying star. Rules: Hyper-detailed textures on the tiger’s fur and the demon’s scales, zero warm colors except crimson glows, chiaroscuro lighting to enhance menace, and a blurred motion effect on the chain to imply supernatural control. Forbid cuteness or cartoonish styles; prioritize haunting, mythic grandeur.
    impasto oil painting
A cosplay character with dark hair and cat ears, her face illuminated by the vibrant glow of neon lights. She holds a detached camera lens, its glass reflecting the surrounding colors. The composition is a close-up, focusing on her face and the lens, with a shallow depth of field blurring the futuristic background. The style is anime-inspired cyberpunk, with sharp lines, vibrant pink and blue hues, and a dreamy, almost ethereal aesthetic
    A fluffy, ginger kitten wearing oversized, round sunglasses perched precariously on a stack of colorful photography books in a sun-drenched living room with a bohemian vibe. Soft, patterned rugs are scattered on the hardwood floor. A vintage camera sits on a tripod in the corner, pointing towards a window framing a lush green garden. A sunbeam highlights the kitten's fur, and a handwritten note sticking out of one of the books says "Purrfect shot!".
    Full-length portrait of a haunting demon girl with pale, iridescent skin and glowing violet eyes, walking a spectral white demon bunny with cracked obsidian horns on a chain leash etched with infernal runes. Style: Fusion of Yoshitaka Amano's ethereal otherworldliness (flowing, ghostly forms), Brom's gothic horror edge (dramatic chiaroscuro, textured decay), and Audrey Kawasaki's delicate balance of innocence and menace. Medium: Ink and charcoal sketch on burnt parchment paper, with muted watercolor washes mimicking ash and smoke. Color palette: Monochromatic bone-white and void-black contrasts, with toxic green highlights on the bunny’s eyes, leash runes, and the girl’s clawed fingertips. Composition: Jagged, fractured silhouettes against an abyssal black void, gradients of ashen gray swirling around the figures to imply cursed energy. Rules: No smooth curves—only sharp, trembling ink lines; watercolor limited to smokey wisps around the bunny’s paws and the girl’s tattered dress; exaggerated hollow cheekbones and elongated limbs for unnerving proportions. Background: Faint hints of a crumbling cathedral in charcoal, no bright colors except the toxic accents. Texture: Burnt paper edges, ash splatters, and a faint bloodstain under the bunny’s paws.
    Close-up portrait of a pensive Asian man in his 50s, with a thin, wispy beard and a weathered face, exhaling smoke from a dark wooden long-stemmed pipe. Warm, golden-hour lighting with soft shadows accentuates his crow's feet and faint forehead wrinkles. Styled in cinematic realism with influences from Wong Kar-wai's In the Mood for Love: rich teal and amber tones, muted saturation, and hazy atmospheric diffusion.  Inspired by Christopher Doyle's cinematography, emphasizing intimate, melancholic mood and chiaroscuro contrasts. illustration
    Full-length portrait of a sinister demon girl with obsidian horns, glowing crimson eyes, and clawed hands, striding confidently with a colossal sabre-tooth tiger bound by a molten chain leash. Style: Fusion of Zdzisław Beksiński’s surreal dystopian atmosphere (organic, biomechanical textures), Frank Frazetta’s primal dynamism (muscular anatomy, dramatic lighting), and Ayami Kojima’s gothic elegance (flowing robes, intricate patterns). Medium: Ethereal digital painting with ink-like precision and smoky, smoldering textures. Color palette: Deep blood-red, charcoal black, and ash-gray tones, with neon violet accents on the tiger’s spectral stripes and the demon’s smoldering chain. Composition: Diagonal layout emphasizing movement; the tiger’s snarling muzzle contrasts with the girl’s calm, predatory smirk. Background: Jagged obsidian cliffs under a bruised twilight sky, lit by a dying star. Rules: Hyper-detailed textures on the tiger’s fur and the demon’s scales, zero warm colors except crimson glows, chiaroscuro lighting to enhance menace, and a blurred motion effect on the chain to imply supernatural control. Forbid cuteness or cartoonish styles; prioritize haunting, mythic grandeur.
    Valentines Day,
A melancholic romantic scene inspired by Paul Verlaine's poetry: a young man kneeling at the feet of a serene woman, his head resting on her chest, surrounded by lush fruits, flowers, leaves, and branches. Soft morning light with dew-covered textures, misty atmosphere, and a dreamlike glow. Emphasize tender intimacy and vulnerability—pale, delicate skin, flowing fabrics, and hands gently clasping a symbolic heart. Style: Ethereal impressionism blended with Art Nouveau elegance (reminiscent of Alphonse Mucha and John William Waterhouse). Color palette: Pastel blues, blush pinks, ivory, and muted greens. Composition: Central symmetrical focus on the figures, natural elements framing the scene, flowing lines guiding the eye to the heart. Mood: Poetic sorrow, quiet longing, and transcendent calm.
    hyperrealistic digital art, close-up of an AI artist's face, center, contorted in frustration and anger, disbelief. One half of the face is subtly overlaid with binary code, glitch effect. Blurred background hints at a messy studio with art supplies and high-tech equipment. Dramatic lighting, single bright light source, harsh shadows. Detailed textures
    The air hums with a palpable tension, thick with the scent of freshly turned earth and a faint, sweet carrot aroma. A lone jester, garbed in a vibrant patchwork of colors, takes a tentative step into a surreal throne room. The walls are lined with tapestries depicting heroic vegetables, their eyes seeming to follow the jester's every move. Before him stands the Royal Carrot, an impossibly large vegetable crowned and radiating an aura of power. Tiny bells on the jester's outfit chime softly, a fragile counterpoint to the oppressive silence. Shadows dance in the corners of the room, fueled by flickering torchlight, amplifying the jester's internal conflict – a thrilling yet terrifying leap into the unknown. The scene is rendered with the dramatic lighting and rich textures of a Baroque painting, but infused with the surreal, dreamlike quality of a Salvador Dali piece.
    Close-up portrait of a determined young woman in a bustling underground metro station. Rich umber skin, amber eyes with gold flecks, tightly braided hair with one loose strand. Full lips painted crimson, pressed in a thin line. Harsh fluorescent lighting creates dramatic shadows on her angular features. She wears a crisp white shirt with a single earbud visible. Background: crowded platform, flickering lights, neon advertisements, and sleek train cars. The woman stands still, a calm focal point amidst the chaotic, fast-paced environment.
    Oky Doki, said the girl to the huge dog, petting it on the head.
    impasto oil painting, The club pulses with a hypnotic rhythm, bathed in the electric glow of neon lights that paint the scene in vibrant shades of fuchsia and emerald. A haze of smoke hangs in the air, thick with the scent of clove cigarettes and something faintly metallic. A stylish vampire, draped in velvet and lace, moves with sinuous grace across the dance floor, her fangs catching the light as she smiles. The music throbs, a blend of darkwave and synth-pop, driving the crowd of ghoulish revelers into a frenzy of movement. Capture the darkly glamorous atmosphere, echoing the Art Deco movement's geometric precision and the sensual energy of Tamara de Lempicka’s portraits. Focus on the interplay of light and shadow, the sleek textures of leather and lace, and the vibrant, almost otherworldly hues of the neon lights. Infuse the scene with a sense of exhilarating liberation, a celebration of the night, reflecting the hedonistic energy of a vampire nightclub. Consider a dynamic composition with motion blur to convey the energy of the dance floor, and a shallow depth of field to focus attention on the central figure.
    Full-length portrait of a sinister demon girl striding with a colossal, molten-maned lion bound by a chain of smoldering skulls. The demon girl has obsidian horns, glowing crimson eyes, and tattered robes revealing ashen skin; her pose exudes predatory grace. Style: Fusion of Zdzisław Beksiński’s surreal horror (twisted anatomy, hellscape textures), Brom’s dark fantasy edge (dramatic chiaroscuro, brooding atmosphere), and Gustave Doré’s intricate engravings (dense crosshatching, mythic scale). Medium: Ink and charcoal on cracked volcanic stone parchment with faint gold-leaf accents. Color palette: Infernal crimson, molten gold, and charred obsidian, with glowing embers in the lion’s mane and the girl’s eyes. Composition: Jagged, shadow-cloaked figures against a blazing hellscape background (lava rivers, skeletal ruins). Rules: Sinister flowing lines (no angular punk shapes), textures mimicking cracked earth and ash, intense depth via layered smoke. Focal point on the lion’s snarling maw and the demon girl’s clawed hand gripping the chain. No bright colors except fire/embers; all shadows must feel alive and menacing.
    Foreground: Close-up of dry, cracked earth, with a few sparse, withered plants struggling to survive. Middle Ground: A lone figure stands in the middle distance, silhouetted against the harsh sunlight, gazing towards an abandoned car park. Subject: The desolate landscape and the sense of isolation are the central focus. Background: A vast expanse of barren wasteland stretches to the horizon, under a pale, washed-out blue sky. Style: Panoramic, wide-angle shot, with a focus on the vastness and emptiness of the scene, rendered in a realistic style with muted colors.
    A lone, stylized figure stands before a towering, abstract tree, its branches formed by swirling, vibrant red and orange brushstrokes, representing the raw, creative energy of the universe. The tree is rooted in a barren landscape, symbolizing the grounding force of nature. The style is a fusion of Art Nouveau and Abstract Expressionism, with the flowing, organic lines of the tree rendered in a dynamic, expressive style, creating a sense of awe, power, and the interconnectedness of all things. The vibrant colors and bold brushstrokes evoke a sense of primal energy and the boundless potential of creation.
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