KeenTharagon
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    Liminal dreamscape: the viewer looks down a shaft that descends ten floors through a dwarven city. Every level is full of dwarves going about their day to day lives, beneath the metal ceiling, their love of engineering giving the streets and edwardian aesthetic, Simon stalenhag- inspired mixed media aesthetic: Organic paint smudges blend with ultra- detailed cybernetic textures. Vintage film texture- Kodachrome meets digital hallucination. Rich orange and deep cybernetic blues create mesmerizing color palette. Centered composition blending dieselpunk mysticism with dense urban landscape. Cinematic lighting suggesting ordered chaos. Desaturated yet intensely detailed

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    More prompts from KeenTharagon

    Liminal dreamscape: the viewer looks down a shaft that descends ten floors through a dwarven city. Every level is full of dwarves going about their day to day lives, beneath the metal ceiling, their love of engineering giving the streets and edwardian aesthetic,, Simon stalenhag -inspired mixed media aesthetic: Organic paint smudges blend with ultra-detailed cybernetic textures. Vintage film texture - Kodachrome meets digital hallucination. Rich orange and deep cybernetic blues create mesmerizing color palette. Centered composition blending dieselpunk mysticism with dense urban landscape. Cinematic lighting suggesting ordered chaos. Desaturated yet intensely detailed.
    landscape with sharp slate escarpments and distant obsidian cliffs (landscape:1.3), ink splatters subtly adding texture and depth across the terrain (ink splatter:1.2), soft gradients in the sky transitioning from light to dark hues (sky:1.0), ink textures blending into the contours of the hills and trees (texture:1.1), scattered pine trees and rocks punctuating the scene, atmospheric lighting casting long shadows (lighting:1.1), A shallow valley between two jagged escarpments, filled with mist (mist:0.9), a small farm house sits in the middle of a small vineyard in the direct centre. A path leads from the viewer down through green rock strew fields to the barns and front door, dynamic motion in the ink splatters, creating a sense of movement across the landscape (movement:1.0), rich color palette of muted earth tones with dark inky accents (colors:1.2), minimalist horizon line fading into the distance (minimalist:0.8), dramatic contrast between light and shadow BREAK the ink splatters adding layers of complexity and visual interest (complexity:1.2), subtle interplay of ink and natural elements merging into the environment (blend:1.1) detailed, D_Hstyle, frostpunkai
    high resolution illustration, D_Hstyle, Moebius (Jean Giraud) Style page, (in the style of Dishonored:0.6), Full body portrait illustration of Mr Arthur Mercy. He is an 70yo male, white skin old, hawkish features (Charles Dance), shaven head, round rimless reading glasses.. She is looking at the viewed with a grim expression, mouth set in a stern line and is wearing a neat black knee length cloak and is leaning heavily on a black iron staff. Background, a simple curtain in blue
    high resolution illustration, D_Hstyle, Moebius (Jean Giraud) Style page, (in the style of Dishonored:0.6), Full body portrait illustration of the a badly scarred white woman ((annie leonhardt)) with a roman nose standing ready in a snowy forest. Though the world is becoming fractal around her, her expression remains grim. The right side of her face is ruined from an old injury and her blonde hair is tied up so that it doesn't get in her way. The is dressed in a brown trenchcoat, green cloak with the hood pulled up. She has a long scimitar made out fragmented, levitating metal pieces, assembled in a way that defies normal physics and her coat is covered in trinkets she's collected over the years. The composition includes illusion of reflections and refractions, Ethereal alien cybergoth fashion photography painting
    Liminal dreamscape: the viewer looks down a shaft that descends ten floors through a dwarven city. Every level is full of dwarves going about their day to day lives, beneath the metal ceiling, their love of engineering giving the streets and edwardian aesthetic,, Simon stalenhag -inspired mixed media aesthetic: Organic paint smudges blend with ultra-detailed cybernetic textures. Vintage film texture - Kodachrome meets digital hallucination. Rich orange and deep cybernetic blues create mesmerizing color palette. Centered composition blending dieselpunk mysticism with dense urban landscape. Cinematic lighting suggesting ordered chaos. Desaturated yet intensely detailed.
    oil painting with heavy impasto of concept art of a street in an ancient dwarven flying city which is retrofitted into a broken down gas mining platform, elegant intricate artstation concept art by craig mullins detailed, D_Hstyle, frostpunkai
    A terrifying living windmill uproots itself with spindly fleshy limbs and clambers across the rocky outcrops of the floating island, heading towards the viewer. The stonework, splits to reveal flesh beneath while eyes explode from beneath ridge tiles. Cosmic horror, D_Hstyle, frostpunkai
    Liminal dreamscape: A shining brass city built with a white stone circular wall. Ships fly overhead to dock at a tall landing tower while people fill the streets, watched over by brutalist architecture. The streets are edwardian style, echoes of the fashions of the early 1900s, steam rising from grates and filling the air giving an almost ethereal look to the many people who walk the streets Simon stalenhag -inspired mixed media aesthetic: Organic paint smudges blend with ultra-detailed cybernetic textures. Vintage film texture - Kodachrome meets digital hallucination. Rich orange and deep cybernetic blues create mesmerizing color palette. Centered composition revealing impossible transformation: Skyscrapers breathing, streets liquefying, technological infrastructure becoming sentient. Whimsical creatures emerging from infrastructure, blending dieselpunk mysticism with dense urban landscape. Cinematic lighting suggesting multiple realities coexisting. Desaturated yet intensely detailed.
    landscape with sharp slate escarpments and distant obsidian cliffs (landscape:1.3), ink splatters subtly adding texture and depth across the terrain (ink splatter:1.2), soft gradients in the sky transitioning from light to dark hues (sky:1.0), ink textures blending into the contours of the hills and trees (texture:1.1), scattered pine trees and rocks punctuating the scene, atmospheric lighting casting long shadows (lighting:1.1), A shallow valley between two jagged escarpments, filled with mist (mist:0.9), a small farm house sits in the middle of a small vineyard in the direct centre. A path leads from the viewer down through green rock strewn fields to the barns and front door, dynamic motion in the ink splatters, creating a sense of movement across the landscape (movement:1.0), rich color palette of muted earth tones with dark inky accents (colors:1.2), minimalist horizon line fading into the distance (minimalist:0.8), dramatic contrast between light and shadow BREAK the ink splatters adding layers of complexity and visual interest (complexity:1.2), subtle interplay of ink and natural elements merging into the environment (blend:1.1) detailed, D_Hstyle, frostpunkai
    high resolution illustration, D_Hstyle, Moebius (Jean Giraud) Style page, (in the style of Dishonored:0.6), Full body portrait illustration of Ms SORER. She is an 50yo female, white skin old, square features, messy white braided hair, braid (One braid on left side) round rimless reading glasses. She's looking at the viewer with a disgruntled expression wearing a long blue dress (high collar, no cleavage) and a thick brown leather apron. Her sleeves are rolled up. Background, a chalkboard with various formulas written across it.
    On a floating island with sharp slate escarpments and distant obsidian cliffs (landscape:1.3), ink splatters subtly adding texture and depth across the terrain (ink splatter:1.2), soft gradients in the sky transitioning from light to dark hues (sky:1.0), ink textures blending into the contours of the hills and trees (texture:1.1), scattered pine trees and rocks punctuating the scene, atmospheric lighting casting long shadows (lighting:1.1), A shallow valley between two jagged escarpments, filled with mist (mist:0.9), a small farm house sits in the middle of a small vineyard in the direct centre. A path leads from the viewer down through green rock strew fields to the barns and front door, dynamic motion in the ink splatters, creating a sense of movement across the landscape (movement:1.0), rich color palette of muted earth tones with dark inky accents (colors:1.2), minimalist horizon line fading into the distance (minimalist:0.8), dramatic contrast between light and shadow BREAK the ink splatters adding layers of complexity and visual interest (complexity:1.2), subtle interplay of ink and natural elements merging into the environment (blend:1.1) detailed, D_Hstyle, frostpunkai
    high resolution illustration, D_Hstyle, Moebius (Jean Giraud) Style page, (in the style of Dishonored:0.6), Full body portrait illustration of the a badly scarred white woman ((annie leonhardt)) with a roman nose standing ready in a snowy forest. Though the world is becoming fractal around her, her expression remains grim. The right side of her face is ruined from an old injury and her blonde hair is tied up so that it doesn't get in her way. The is dressed in a brown trenchcoat, green cloak with the hood pulled up. She has a long scimitar made out of black jagged glass which she has tied to her hilt and her coat is covered in trinkets she's collected over the years. The composition includes illusion of reflections and refractions, Ethereal alien cybergoth fashion photography painting
    On a floating island with sharp slate escarpments and distant obsidian cliffs (landscape:1.3), ink splatters subtly adding texture and depth across the terrain (ink splatter:1.2), soft gradients in the sky transitioning from light to dark hues (sky:1.0), ink textures blending into the contours of the hills and trees (texture:1.1), scattered pine trees and rocks punctuating the scene, atmospheric lighting casting long shadows (lighting:1.1), A shallow valley between two jagged escarpments, filled with mist (mist:0.9), a small farm house sits in the middle of a small vineyard in the direct centre. A path leads from the viewer down through green rock strew fields to the barns and front door, dynamic motion in the ink splatters, creating a sense of movement across the landscape (movement:1.0), rich color palette of muted earth tones with dark inky accents (colors:1.2), minimalist horizon line fading into the distance (minimalist:0.8), dramatic contrast between light and shadow BREAK the ink splatters adding layers of complexity and visual interest (complexity:1.2), subtle interplay of ink and natural elements merging into the environment (blend:1.1) detailed, D_Hstyle, frostpunkai
    high resolution illustration, D_Hstyle, Moebius (Jean Giraud) Style page, (in the style of Dishonored:0.6), Full body portrait illustration of Mr Arthur Mercy. He is an 70yo male, white skin old, wide features (Ian Holm), messy white hair, beardless, round rimless reading glasses. His looking at the viewer with a smile and is wearing a neat black and red knee length smoking jacket, Background, a simple blue curtain with bookshelves. Dark background
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