A surreal abstract collage artwork, blending fragmented elements in a layered, mixed- media approach, evoking a sense of energy and visual chaos. The piece is divided into five collages, each inspired by a famous artist's unique style. (Edvard Munch:1. 7) contributes jagged, raw renditions of emotion through fragments of The Scream, distorted across ink and fabric textures. These are juxtaposed with (Frida Kahlo:1. 6) floral brushstrokes in vivid reds, yellows, and greens, which tear through Munch’s muted scene, clashing with his figures. (Jean- Michel Basquiat:1. 8) adds fragmented scribbles and abstract figures drawn in harsh lines, creating sharp contrasts against Kahlo’s softer strokes. The next collage evokes (Mark Rothko:1. 7), with bold blocks of warm colors bleeding into the chaotic forms. The final collage showcases (Yayoi Kusama:1. 7) with repetitive dots and hypnotic patterns, layering over Rothko’s color fields, merging into the chaos of Kahlo and Basquiat, creating surreal, disorienting patterns. Each collage piece is intentionally torn, faded, and overlapping, amplifying the constant movement and transformation within the artwork. The piece radiates emotional energy, where the layers battle and coexist to form a unified yet chaotic vision
blurry, low quality, worst quality, bad hands,
