Distorted Divine, Oil Painting Surrealism, H. R. Giger Influence – A nightmarish vision of a skeletal, hollow- eyed priest with skin resembling cracked porcelain, his face split into jagged, fractal- like shards revealing an endless void within. Tendrils of smoke seep from the fissures, coiling around his elongated, insectoid limbs, which extend unnaturally as if stretched by unseen forces. His hands, gnarled and claw- like, clasp an ornate metallic staff fused into his flesh, pulsating with eerie blue bioluminescence. A crown of twisted, silver thorns levitates above his head, dripping molten mercury that hisses as it dissolves into the shadowed abyss below. The cathedral behind him is warped and fractured, its towering spires bending and twisting like organic bone structures, fading into an apocalyptic, storm- ravaged sky. The air is heavy with the scent of charred incense and ozone, as spectral figures hover within the swirling gloom, whispering unintelligible prayers from mouths sewn shut. The painting exudes an overwhelming sense of divine corruption, where holiness and horror intertwine, frozen in hauntingly intricate oil- painted textures
blurry, low quality, worst quality, bad hands,
